Antipodas Film Lab

Post-production studio from the south of Spain

Based in Sevilla, our post-production capability offers a unique mixture of the best creative talent and end-to-end cutting-edge technology so you can concentrate on your film.

DIT Service
Animation and VFX
Color Grading
Editing
Digital Lab
VFX Supervision
Sound
Mastering and Delivery
Our Projects

Browse our library of projects

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Honor_Atresmedia_postproduccion

Honor
CARTEL_DE_PERDIDOS_A_RIO

De Perdidos a Río
Te Estoy Amando Locamente Cartel

Te Estoy Amando Locamente
548 días captada por una secta

548 Días: Captada por una Secta
Secaderos Cartel

Tobacco Barns
Tin y Tina Cartel

Tin & Tina
El Hijo Zurdo Cartel

The Left-Handed Son
Mamacruz Cartel

Mamacruz
Universo de Óliver Cartel

Oliver’s Universe
Modelo 77 Cartel

Prison 77
Lava Cartel

Lava
Iberia Cartel

Iberia
La Chica de Nieve Cartel

The Snow Girl
Las de la Ultima Fila Cartel

The Girl at the Back
Antípodas - Poster Not Available

The Sleeping Woman
Cosas de Ninos Cartel

Kids Games
Alegria Cartel

Alegria
Las Gentiles Cartel

Las Gentiles
Our Team

We love telling great stories. Let’s put your ideas into motion

Our team is constantly trained in the use of new technologies, workflows, and software. We are proud to stimulate the creativity, innovation, and growth of those who are part of Antipodas Film Lab. The results are reflected day by day in every single project.

Jose M. G. Moyano
Jose M. G. Moyano

Jose M. G. Moyano

José M.G. Moyano began his career as a film editor in 1998. Throughout his trajectory, he has collaborated with directors such as Santi Amodeo, Paco Baños, Chema Rodríguez, Ignacio Vilar, Alexis Morante, Tudor Giurgiu, Curro Sánchez Varela, and Hernán Zin, among others.

With over 20 years of experience, Moyano has worked on more than thirty titles, receiving awards and nominations both nationally and internationally. He recently received his fifth Goya nomination for Best Editing for "Modelo 77" (2023), following his win in 2015 for "La isla mínima."

In addition to editing notable feature films, Moyano has also made significant contributions to documentaries and fiction series. He has served as an editor, director of post-production, and head of editors for projects such as "La Peste," directed by Alberto Rodriguez, and "El hijo zurdo," by Rafael Cobos, which recently won the Best Short Series award at the 2023 Cannes Festival.

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Juan Ventura
Juan Ventura

Juan Ventura

Juan Ventura, with over 80 film projects, documentaries, and series to his credit, showcases his 25 years of experience in the industry. He has received numerous awards and academic nominations in the VFX supervision category, recognizing his outstanding career.

In his role as a colorist, Ventura has collaborated with some of the country's top cinematographers, who have been nominated for Best Cinematography at the Goya Awards. He has been involved in color grading for films that received nominations for three consecutive years.

More recently, through his work at Antípodas Film Lab, where he also serves as the Technical Director, Ventura has continued to receive nominations and accolades. He won the Carmen Awards, presented by the Andalusian Film Academy, for Best VFX in "Hombre muerto no sabe vivir" (2022), directed by Ezekiel Montes, and "El universo de Oliver" (2023), directed by Alexis Morante.

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Jose Manuel Rocha
Jose Manuel Rocha

Jose Manuel Rocha

José Manuel Rocha has over 10 years of experience in the film, documentary, and series industry, specifically in the field of post-production. He currently serves as the Workflow Design and Post-Production Coordinator at Antípodas Film Lab.

Throughout his career, Rocha has held various roles in editing, color grading, graphic design, and DIT (Digital Imaging Technician) departments, working on both fiction and documentary projects. He was nominated for the ASECAN Awards for Best Editing for his work on "Tamara y la Catarina" (2017).

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Manuel Terceño
Manuel Terceño

Manuel Terceño

Manuel Terceño has successfully combined his work as a film and television editor throughout his professional career. He has received nominations for various prestigious awards, including the Carmen Awards in 2023 for Best Editing in "La maniobra de la tortuga," directed by Juan Miguel del Castillo, the ASECAN Awards in 2017 for "La Xirgu" (2016) by Silvia Quer, and the Gopo Awards in the Romanian film industry for "Parking" (2019) by Tudor Giurgiu, all in the same editing category.

One of Terceño's notable achievements includes his work on the editing of both seasons of the original fiction series "La Peste," which aired on Movistar Plus+ and was directed by Alberto Rodríguez. His talent and contributions to these projects have established him as a respected editor in the industry.

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Amparo Martínez
Amparo Martínez

Amparo Martínez

Amparo Martínez began her career as a VFX composer in film in 2014, working on projects such as "La Isla Mínima" (2014) and "El hombre de las mil caras" (2016) directed by Alberto Rodríguez. She continued her journey in the series "La Peste" (2018), where she combined her role as a VFX composer with graphic design, showcasing her work on titles like "Omega" (2016) by Gervasio Iglesias and José Sánchez Montes.

In 2019, she transitioned to VFX Supervision while still maintaining her role as a composer. She collaborated with Juan Ventura on projects such as "Taxi a Gibraltar" (2019) directed by Alejo Flah, for which they received a nomination at the ASECAN Awards. She also worked on "522, un gato, un chino y mi padre" (2019) by Paco Baños and the second season of "La Peste" (2019) by Alberto Rodríguez.

Her career has been recognized with multiple nominations, including the ASECAN Awards in 2019 for Best VFX for "522, un gato, un chino y mi padre," and the Carmen Awards in 2023 in the same category, where she won the award for "El universo de Oliver" directed by Alexis Morante. Amparo Martínez's contributions as a VFX composer and supervisor have been highly valued in the industry.

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Darío García
Darío García

Darío García

Darío García cuenta con más de 15 años de experiencia como montador de cine y documentales tras sus inicios de la mano del director David Pantaleón en el año 2005.

Hasta la fecha, varias nominaciones a mejor montaje le acompañan en su trayectoria destacando la obtenida en los Premios Goya 2015 por “Paco de Lucía: la búsqueda”, de Curro Sánchez y los Premios Carmen, de la Academía de Cine de Andalucía, en 2023 por “Las Gentiles”, de Santi Amodeo.

En los últimos años, con la llegada de las plataformas de streaming, ha trabajado en varias series producidas por Netflix, Amazon y Movistar. Siendo su trabajo más reciente en “El hijo Zurdo”, nueva serie original creada por Rafael Cobos y bajo su dirección junto a Paco Baños, premiada a mejor serie corta en el Festival de Cannes 2023.

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Abraham Fernández
Abraham Fernández

Abraham F. Apresa

Abraham Fernández Apresa, a sound enthusiast from a young age, studied filmmaking and specialized as a sound technician, leading him to work on various projects and platforms for 7 years.

Currently, after working for different companies in Madrid, he works as a dialogue editor, editor, ADR recorder, and mixer for films and series at Antípodas Film Lab.

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Camilo Gracia
Camilo Gracia

Camilo Gracia

Camilo Gracia Zambrano is a professional in the field of post-production, with notable involvement in film and platform projects such as "La Peste" and "Modelo 77," directed by Alberto Rodríguez.

Taking on the role of DATA for "Las de la última fila" and being responsible for managing and organizing digital files during filming, Camilo stands out for his role as an assistant editor in "Tin&Tina" directed by Rubin Stein, as well as his work as a laboratory technician in series and feature films such as "La chica de nieve," "Mamacruz," and "El hijo zurdo" by Rafael Cobos, which won the award for Best Short Series at the 2023 Cannes Festival, among others.

In this way, his experience demonstrates his versatility and knowledge in different areas of film post-production at Antípodas Film Lab.

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Miriam Lacruz
Miriam Lacruz

Miriam Lacruz

Miriam Lacruz has a long history in the film industry, working in both production and post-production. She has successfully balanced both roles for several years and currently, after starting as a post-production coordinator on "La Peste" by director Alberto Rodríguez, she continues to excel in this position as part of the Antípodas Film Lab team.

In addition to her post-production work, Miriam has also made significant contributions to film production, both in office and on set. Her roles as an assistant and transportation manager in films such as "El Reino" directed by Rodrigo Sorogoyen, "El Universo de Oliver" by Alexis Morante, and "Sevillanas de Brooklyn" by Vicente Villanueva, among others, have made Miriam a key figure in the success of numerous projects in the audiovisual field. She understands and actively participates in every step of the process, from pre-production to the final result.

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Our Services

In-House

antipodas film lab
Editing

3 edit rooms ready for any type of project and video format: AVID Media Composer, Adobe Premiere, Final Cut X, DaVinci Resolve,...

Storage system adapted to each need, with an individual RAID in each room and a shared Jellyfish Tower&Rack that facilitates collaborative work in large and small projects.

The editing room can be rented with or without an editor.

Antipodas Film Lab
Color Grading

We have the most powerful DaVinci Resolve and Mistika Boutique suites in the market: equipped with 10.000 Cores CUDA.

We have a 32" Sony Trimaster HX310 4K HDR monitor and a Sony 2K projector.

We also offer a Dolby 7.1 sound and cinema seats.

Antipodas Film Lab
antipodas film lab
Visual Effects, Animation & Motion Graphics

VFX and Motion Graphics Suite to create any type of visual effects.

We design opening credits and the final roll for any type of fiction.

Sala de Sonido
Sound: Editing, Mixing, ADRs, and Dubbing.

Dolby Atmos editing and sound mixing room.

Dialogue editing.

ADRs and dubbing.

Effects editing and M+E (International Track).

Mixing in 5.1, 7.1, and Dolby Atmos.

Material management adapted to different formats for streaming platforms and cinema.

Sala de Sonido
Antipodas Film Lab
Digital Lab: Repository and LTO

Secure Media Storage: repository and LTO.

High-capacity media management and storage for large projects.

Material preparation for assembly assistance: synchronization.

Digital deliveries, masters, and copies in multiple formats and media.

Our Services

On Set

Antipodas Film Lab
DIT Service y Data Wrangling

Our HDR DIT STATIONS are compatible with all the digital catchment systems available in the market: ARRI ALEXA, RED EPIC, RED DRAGON, RED WEAPON, PHANTOM 4K, SONY F65, CODEX, OB1, GEMINI, SCARLET...

We offer Checksum downloads from all cameras to RAID 5 backup copies to the highest level of transference and real time on set verification.

Transcodes and dailies to any format with LUT / CDL applying on set color correction.

Exporting a XML/AAF metadata for editing and color grading systems saving time in post-production.

We also work with several viewing dailies apps.

Antipodas Film Lab Live Color Image
Live Color grading

Monitorización de referencia SDR y HDR SONY PVM HDR 4K -PVM-X2400

Live color adjustment from camera

Color Management based on CDLs, LMTs, LUTs, ACES CTLs.

Antipodas Film Lab Live Color Image
antipodas film lab
Editing on set
VFX Supervision

  • Say hello

    Fill out the form below and we will respond with a quote for your project

  • Get In Touch

  • Address

    Antipodas Film Lab
    Av. de Italia, 11 Seville,
    Andalucia 41012 Spain

  • Office Hours

    Monday - Friday: 9:00a-5:00p
    Saturday & Sunday: Closed

  • Business Phone

    +34 (954) 406-379

  • Business Email

    hello@antipodasfilmlab.com

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