Antipodas Film Lab

Post-production studio from the south of Spain

Based in Sevilla, our post-production capability offers a unique mixture of the best creative talent and end-to-end cutting-edge technology so you can concentrate on your film.

Editing
Dit Station & Data Wrangling
Color Grading
Live Color grading
VFX, Animation & Motion Graphics
Editing on set
Backup Repository & LTO
VFX Supervision
About Us

We strive to make sure our clients are comfortable at all times during the creative process

We provide a professional workspace but at the same time relaxed and welcoming. We prioritize your safety at all times and we have strict hygiene measures.

Baselight department

The backbone of our DI-departments consists of several baselight systems, coupled with calibrated 4K HDR display technology for cinema and video workflows.

Always connected

Our facility has an internal 100gbe/40gbe network and is connected to the outside world by a dedicated fiber line.

Flexible

Our custom VFX pipeline is very flexible and allows us to accomodate all possible requests.

Our Team

We love telling great stories. Let’s put your ideas into motion

Our team is constantly trained in the use of new technologies, workflows, and software. We are proud to stimulate the creativity, innovation, and growth of those who are part of Antipodas Film Lab. The results are reflected day by day in every single project.

JOSE MANUEL MOYANO
JOSE MANUEL MOYANO

Jose M. G. Moyano

Jose Manuel Moyano started as a film editor in 1998. Since then, he has edited more than thirty titles, including fiction feature films, documentaries, and fiction series. He has also served as post-production director and post-production coordinator on some of the titles he has edited.

These works have earned him numerous awards. Nominated for the Goya Awards for best montage four times, in 2015 he won this award for 'La Isla Mínima' by Alberto Rodríguez.

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JUAN VENTURA
JUAN VENTURA

Juan Ventura

Juan Manuel Ventura is a colorist since 2005. He has worked on more than 70 film projects, documentaries, series, etc., many of them nominated and awarded by the academy.
He has worked with the main cinematographers such as Alex Catalán, Pau Esteve, Carles Gusi, Sergi Gallardo, and David Omedes.

With 20 years of experience in VFX / Composition Supervision, Juan Ventura had 3 consecutive years (2012, 2013, and 2014) nominations for the Goya awards in that category.

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JOSE MANUEL ROCHA
JOSE MANUEL ROCHA

Jose Manuel Rocha

Jose Manuel Rocha studies at the old Andalusian School of Cinematography. He has more than 10 years of experience in post-production, combining various functions throughout these years.

He has worked in both fiction and documentary, being nominated for the ASECAN Awards for best editing for 'Tamara y la Catarina' (2017).

He has also done work as a colorist, graphic creation as well as Data Wrangler or DIT. In recent years, he has combined these functions with workflow design and post-production coordination.

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MANUEL TERCEÑO
MANUEL TERCEÑO

Manuel Terceño

Throughout his career, Manuel Terceño has combined work as a film and television editor.

He has been nominated for the ASECAN Awards for best editing in 2017 for 'La Xirgu' (2016), by Silvia Quer, and also for best editing at the Gopo Awards of Romanian cinema for the film 'Parking' (2019) by Tudor Giurgiu.

He has also edited the two seasons of the fiction series 'La Peste' (2017-2019, Movistar +), created by Alberto Rodríguez and Rafael Cobos.

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AMPARO MARTÍNEZ
AMPARO MARTÍNEZ

Amparo Martínez

In 2014, Amparo Martínez began her career as a composer of VFX in cinema, participating in 'La Isla Mínima' (Alberto Rodríguez, 2014),  'El hombre de las mil caras' (Alberto Rodríguez, 2016), and 'La Peste' (Alberto Rodríguez, 2018).

Amparo is also a graphic designer, working for titles like 'Omega' (Gervasio Iglesias and José Sánchez Montes, 2016).

In 2019, she made a leap to VFX Supervision, combining it with composition, first in a team with Juan Ventura in 'Taxi a Gibraltar' (Alejo Flah, 2019), for which they were nominated for the ASECAN Awards, in '522, un gato, un chino y mi padre' (Paco Baños, 2019) and in 'La Peste' (Alberto Rodríguez, 2019).

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DARÍO GARCÍA
DARÍO GARCÍA

Darío García

Darío García (BA in Audiovisual Communication and nominated for a Goya for Best Editing 2015) is a film and documentary editor.

He currently lives between Madrid and Seville. Cinephile and music lover began his career in Barcelona with the director David Pantaleón in 2005.

In recent years, with the arrival of streaming platforms, he has worked on several series produced by Netflix, Amazon, and Movistar.

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Our Services

In-House

antipodas film lab
Editing

3 edit rooms ready for any type of project and video format: AVID Media Composer, Adobe Premiere, Final Cut X, DaVinci Resolve,...

Our edit suites consist of: SSD system disk, RAID storage, Blast video output to a monitor, fully calibrated by LightSpace, WACOM Intuos tablet, ShuttlePRO v2.

The editing room can be rented with or without an editor.

Antipodas Film Lab
Color Grading

We have the most powerful DaVinci Resolve and Mistika Boutique suites in the market: equipped with 10.000 Cores CUDA.

We have a 32" Sony Trimaster HX310 4K HDR monitor and a Sony 2K projector.

We also offer a Dolby 7.1 sound and cinema seats.

Antipodas Film Lab
antipodas film lab
Visual Effects, Animation & Motion Graphics

VFX and Motion Graphics Suite to create any type of visual effects.

We design opening credits and the final roll for any type of fiction.

Antipodas Film Lab
Backup Repository & LTO

1 petabyte of storage with redundant security library on LTO 8 tape drive data storage.

Connected by fiber-optic, 10Gb/s network and HD SDI throughout the studio.

Two fiber optic internet networks at 1Gb/s.

LTO 8 Back-up system robot as well as 24/7 CCTV.

Antipodas Film Lab
Our Services

On Set

Antipodas Film Lab
Dit Station & Data Wrangling

Our HDR DIT STATIONS are compatible with all the digital catchment systems available in the market: ARRI ALEXA, RED EPIC, RED DRAGON, RED WEAPON, PHANTOM 4K, SONY F65, CODEX, OB1, GEMINI, SCARLET...

We offer Checksum downloads from all cameras to RAID 5 backup copies to the highest level of transference and real time on set verification.

Transcodes and dailies to any format with LUT / CDL applying on set color correction.

Exporting a XML/AAF metadata for editing and color grading systems saving time in post-production.

We also work with several viewing dailies apps.

Antipodas Film Lab Live Color Image
Live Color grading

Monitorización de referencia SDR y HDR SONY PVM HDR 4K -PVM-X2400

Live color adjustment from camera

Color Management based on CDLs, LMTs, LUTs, ACES CTLs.

Antipodas Film Lab Live Color Image
antipodas film lab
Editing on set
VFX Supervision
Our Projects

Browse our library of projects

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Secaderos

Secaderos
Tin & Tina

Tin & Tina
El Universo de Oliver

El Universo de Óliver
Alegria

Alegría

  • Say hello

    Fill out the form below and we will respond with a quote for your project

  • Get In Touch

  • Address

    Antipodas Film Lab
    Av. de Italia, 11 Seville,
    Andalucia 41012 Spain

  • Office Hours

    Monday - Friday: 9:00a-5:00p
    Saturday & Sunday: Closed

  • Business Phone

    +34 (954) 406-379

  • Business Email

    hello@antipodasfilmlab.com

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